I adore
Victorian costume so where did it all begin………………
As a
child, I watched The Forsythe Saga –a Victorian epic tale (or in modern
parlance a generously starched soap opera) on BBC television. It gripped the nation with its storyline of
the ruthless Soames, the beautiful Irene and the kindly Jolyon.
However,
it was not the story or the characters that interested me, it was the
dresses. I was six years old and enthralled
by the gorgeous gowns the ladies wore.
If I was enthralled by the outer clothes, I was mesmerized by a scene where
a maid was dressing one of the main female characters. The underwear while very pretty seemed –even to
a six year old- complicated and cumbersome.
I had never seen a corset or a bustle before and could not work out why
one appeared designed to make the waist smaller while the other apparently had
the opposite purpose of making the backside seem enormous. If only, I had read
Sexual Psychology rather than the Secret Seven or Famous Five I would have
known but the local library had placed all the good stuff on the top shelf out
of the reach of innocent (!) minds.
Anyway,
it was that scene that triggered my thoughts pathways in a life changing
way. I wanted one of those divine dresses
and the wonderfully elaborate underthings that went with it. For some reason, Santa
never delivered!
Over the
years, there were many more opportunities to see, on television, examples of the
various fashion that characterised the Victorian Era. Perhaps the two most
distinctive aspects were the voluminous crinoline hoop (designed by the engineers
of Napoleon III to stimulate the silk industry) and the bustle (clearly designed
by a Freudian to stimulate the sexual focus of the male brain).
Those
television dramas always had leading ladies in magnificent period costumes. Elizabeth in The Onedin Line and Glencora in
The Pallisers were my favourite. Eventually, my adolescent mind began to
understand that these women were not restricted by their clothes but liberated
by them. They used the mystique of what
lay beneath the hooped skirt and the sexual symbolism of the bustled derriere to
accentuate their sexuality to get what they wanted in what was ostensibly a man’s
world. I would soon discover that the arch proponent of this approach was a
certain Miss Scarlett O’Hara (late of Tara).
My admiration of these master manipulators also caused me to reflect
that I was drawn to strong rather than weak female characters. I wanted to be one too so call me Lady
Pamela!
To
conclude….life really is strange, full of twists and turns and corsets and
petticoats. As a child, little did I
know as I laced up my football boots that one day I would be lacing up my
corsets, instead of pulling up my no nonsense football shorts I would be drawing
up my frilled and embroidered pantalettes and instead of chasing wildly after a
football I would delicately lift the front hem of my hooped skirt so as not to trip
as I glided gracefully across the floor.
And
finally, for the record, I have a Diploma in Costume History…….
Hooped and Petticoated |
Day Dress! |
Pamela,
ReplyDeleteJust to say I am looking forward to reading your blog as it develops and I think your Victorian dresses are simply wonderful!
great dresses!
ReplyDeleteAmazing Inspirations
ReplyDeleteFOLLOW my Blog!!! Maybe we can follow each other!!!
http://rimanerenellamemoria.blogspot.de